more from
Slumberland Records
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/
  • Record/Vinyl + Digital Album

    First edition white vinyl LP with printed inner sleeve, plus a bonus cream-color vinyl picture sleeve 7" featuring four songs not on the LP. Beautiful!

    Includes unlimited streaming of Pad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $24 USD or more 

     

  • Record/Vinyl + Digital Album

    First edition white vinyl LP with printed inner sleeve, all printed on high-quality art paper.

    Includes unlimited streaming of Pad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $20 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Packaged in a nice fold-out digipack.

    Includes unlimited streaming of Pad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $10 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more

     

1.
2.
Pad 02:46
3.
Pictionary 03:18
4.
5.
6.
7.
Hamlet 03:27
8.
9.
Hiding Out 03:08
10.
11.
Reiki 04:47
12.
La Sol 02:59
13.
14.
15.

about

'I can't even tell if I dreamed my pad true.'

With his third album as Peel Dream Magazine, Joseph Stevens beckons you toward a fabulist, zig-zag world entirely of his own design. On "Pad" (Slumberland, Tough Love), he eschews the fuzzy glories of his indie pop past – vibraphone trembles while chamber strings take center stage. The curtains lift to reveal banjo. Chimes. Farfisa. And as he lets out a moan atop the album's title track, it becomes clear that this is no ordinary performance. A conceptual work about losing oneself when all they have is themself, Pad gestures towards an exciting new future for Stevens' pop moniker by reimagining its own very existence.

The follow-up to 2020's breakthrough album "Agitprop Alterna," "Pad" presents a major sonic evolution for the 34 year old songwriter, who moved to Los Angeles amid the cataclysm that same year. Seventies era drum machines and synthesizers remain here, but he's traded his buzzing offset guitar for a nylon-string, opting for a gentle baroque pop sound steeped in Bossa, folk, and its own eerie mysticism. Alongside mid century touchstones like Burt Bacharach, Stevens draws on the cultishly-beloved tinkerings of late-1960s Beach Boys, offering a surreal melange of vintage organs and found percussion, as well as Harry Nilsson's 1970 song tapestry "The Point!".

And similar to "The Point!," "Pad" is a conceptual work reflecting on isolation and identity. The album tells a bedtime story in which Stevens' bandmates kick him out of Peel Dream Magazine – banished and now without purpose, he sets out on a journey to rejoin the band. Misadventures ensue, such as when he joins a cult on "Self Actualization Center," featuring friend and frequent collaborator Winter. But this is also music that's purely pleasurable in its own context, as our protagonist explores the boundaries of easy-listening with discordant textures, and bleeps and bloops that tickle. Songs like "Pictionary" chime delicately with sinister intent, evoking a palette that is outright Mod. "Pad" also recalls the space age bachelor stylings of Stereolab and The High Llamas, with an occult twist that borrows from Tropicalia legends Os Mutantes.

There's an unmoored frivolity to "Pad," standing in stark contrast to the severe, droning motorik of Stevens' previous albums. Overwhelmed by the political upheaval of the day, he reimagines what Van Dyke Parks referred to as the musical counter-counterculturalism of the 1960s, blurring the line between blithe escapism and pointed subversion. "I felt like there was no other way for me to authentically react to what was happening than to make this record." The album also draws on library music from the same era to similar effect, conjuring the likes of Basil Kirchin and Pierro Piccioni, as well as Stevens' newfound arranging skills, honed composing advertisement scores as a day job.

While "Pad" sounds beautiful, there's a certain darkness to it as well. Stevens is addressing our general ambivalence toward the future of everything we know, informed partly by his time in New York at the onset of the pandemic. On "Hiding Out," he laments: 'Wander past the Vernon Mall, and up to Queensboro Bridge. Made to feel I'm two feet small, but that's no way to live.' Ultimately, Stevens is embracing a first-thought-best-thought approach, leaning into the fantastical elements of his own life story. "Pad" is as archetypal as it is strange, blurring the very lines that it asks to be defined by. Art imitates life, but life imitates art too – and the results can sometimes be unpredictable. As Stevens opines on "Jennifer Hindsight,"

'Jennifer Hindsight, you shattered my plans. You're changing my life, with the wave of your hand.'

credits

released October 7, 2022

license

all rights reserved

tags

about

Peel Dream Magazine Los Angeles, California

shows

contact / help

Contact Peel Dream Magazine

Streaming and
Download help

Redeem code

Report this album or account

If you like Peel Dream Magazine, you may also like: